Mackie Mixers

To buy any items please call sales on 0800 043 4600

 

MACKIE CFX12 mkII
• High-headroom mic preamps with RF rejection
• 12 channels (8 mic/line mono, and 2 stereo line channels)
• 32-bit EMAC™ digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
• External and internal EFX sends
• EFX to Monitor control
• 9-band stereo graphic equalizer
• Inserts on all mic channels and main mix
• True 4-bus design with direct sub outs and L/R assign
• 2 Pre/Post Aux sends and internal/external FX level sends on each channel
• 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
• 4-band EQ on stereo line channels
• Pan, Mute, PFL solo on each channel
• Inserts and 100Hz low-cut filters on all mic/line channels
• Subwoofer output from built-in 18dB/oct. 75Hz crossover
• Ingenious BREAK switch
• Headphone output with level control
• Tape/CD inputs with level control assignable to Main Mix via Break switch
• Logarithmic taper 60mm faders
• 48V phantom power
• 12V BNC lamp jack

£please phone
EX VAT & DELIVERY

MACKIE CFX16 mkII
• High-headroom mic preamps with RF rejection
• 16 channels (12 mic/line mono, and 2 stereo line channels)
• 32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
• External and internal EFX sends
• EFX to Monitor control
• 9-band stereo graphic equalizer
• Inserts on all mic channels and main mix
• True 4-bus design with direct sub outs and L/R assign
• 2 Pre/Post Aux sends and internal/external FX level sends on each channel
• 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
• 4-band EQ on stereo line channels
• Pan, Mute, PFL solo on each channel
• Inserts and 100Hz low-cut filters on all mic/line channels
• Subwoofer output from built-in 18dB/oct. 75Hz crossover
• Ingenious BREAK switch
• Headphone output with level control
• Tape/CD inputs with level control assignable to Main Mix via Break switch
• Logarithmic taper 60mm faders
• 48V phantom power
• 12V BNC lamp jack

£please phone
EX VAT & DELIVERY

MACKIE CFX20 mkII
• High-headroom mic preamps with RF rejection
• 16 channels (12 mic/line mono, and 2 stereo line channels)
• 32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
• External and internal EFX sends
• EFX to Monitor control
• 9-band stereo graphic equalizer
• Inserts on all mic channels and main mix
• True 4-bus design with direct sub outs and L/R assign
• 2 Pre/Post Aux sends and internal/external FX level sends on each channel
• 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
• 4-band EQ on stereo line channels
• Pan, Mute, PFL solo on each channel
• Inserts and 100Hz low-cut filters on all mic/line channels
• Subwoofer output from built-in 18dB/oct. 75Hz crossover
• Ingenious BREAK switch
• Headphone output with level control
• Tape/CD inputs with level control assignable to Main Mix via Break switch
• Logarithmic taper 60mm faders
• 48V phantom power
• 12V BNC lamp jack

£please phone
EX VAT & DELIVERY

MACKIE DFX6
• Designed for working professionals who have to control their own mix while making music, the six-input DFX
• 6 Compact Effects Mixer uses color-coded controls for at-a-glance mixing. Both digital effects and a graphic equalizer are built in, eliminating the hassle of outboard effects. Vocal Eliminator circuit can remove the existing lead singer from most recorded songs for karaoke.
• On-stage live sound mixer with built-in 32-bit EMACTM digital effects
• 4 low noise, high-headroom Mackie designed mic preamps
• 2-band EQ on every channel• Pre- and post-fader aux sends for monitors and internal/external effects
• 5-band stereo graphic equalizer
• Vocal elimination effect for karaoke applications

£please phone
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MACKIE DFX12

• Built for easy mixer control when you’re busy on stage, our DFX
• 12 Compact Effects Mixer features 12-channels and six low noise, high headroom mic preamps. Built-in effects and graphic equalizer eliminate the aggravation of outboard effects. Vocal Eliminator circuit can remove the existing lead singer from most recorded songs for karaoke.
• On-stage live sound mixer with built-in 32-bit EMACTM digital effects• 6 low noise, high-headroom Mackie designed mic preamps
• 2-band EQ on every channel
• Pre- and post-fader aux sends for monitors and internal/external effects
• 5-band stereo graphic equalizer
• Vocal elimination effect for karaoke

£please phone
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MACKIE 1202 VLZ PRO
Ultra-low noise mixer with the highest headroom in its class
4 new precision-engineered XDR(tm) Extended Dynamic Range premium studio-grade mic preamps with:
Ultra-wide 0-60dB gain range
130dB dynamic range, 24-bit digital ready
192kHz Bandwidth
+22dBu line input handling
Distortion under 0.0007% (20Hz-20kHz)
Advanced DC pulse transformer RF rejection
12 line inputs (4 mono, 4 stereo pairs)
Separate RCA-type tape/CD inputs and tape outputs (unbalanced)
2 aux sends with 15dB of extra gain above Unity
Constant-loudness pan pots
2 stereo aux returns w/EFX to Monitor
Aux 1 master w/ Monitor/Post assign
3-band active EQ (80Hz, 2.5kHz, 12kHz)
18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops and low frequency recording studio room resonances
Extra ALT 3-4 stereo bus for submixes, separate recording, monitor and 'mix minus' feeds
Control Room/Phones multi-input source matrix
Phantom power for premium condenser mics
Rugged steel chassis, sealed rotary controls
Built-in power supply

£please phone
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MACKIE 1402 VLZ PRO
Ultra-low noise, highest headroom in its class
6 new precision-engineered XDR(tm) Extended Dynamic Range premium studio-grade mic preamps with:
Ultra-wide 0-60dB gain range
130dB dynamic range, 24-bit digital ready
192kHz Bandwidth
+22dBu line input handling
Distortion under 0.0007% (20Hz-20kHz)
Advanced DC-pulse transformer RF rejection
60mm long-wearing log-taper faders
14 line inputs (6 mono, 4 stereo pairs)
Separate RCA-type tape/CD inputs and tape outputs (unbalanced)
2 aux sends with 15dB of gain above Unity
Aux 1 pre/post
Constant-loudness pan pots
Switchable AFL/PFL Solo
2 stereo aux returns with EFX to Monitor switch
Aux 1 master with Monitor/Post assign switch
3-band active EQ (80Hz, 2.5kHz, 12kHz)
18dB/oct. 75Hz Lo Cut filter eliminates stage rumble, wind noise, P-pops and low frequency recording studio room resonances
Extra ALT 3-4 stereo bus for submixes, separate recording, monitor and "mix minus" feeds
Control Room/Phones multi-input source matrix
Phantom power for premium condenser mics
Rugged steel chassis, sealed rotary controls
Built-in power supply

£please phone
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MACKIE 1642 VLZ PRO
Ultra-low noise, high headroom
16 channels (8 mic/line plus 2 stereo mic/line plus 2 stereo line)
10 new precision-engineered XDR(tm) Extended Dynamic Range premium studio-grade mic preamps with:
Ultra-wide 0-60dB gain range
130dB dynamic range, 24-bit digital ready
192kHz Bandwidth
+22dBu line input handling
Distortion under 0.0007% THD (20Hz-20kHz)
48V phantom power
8 TRS channel inserts
Advanced DC pulse transformer RF rejection
60mm long-wearing log-taper faders
4 aux sends, level, pan, -20dB and OL LEDs on each channel
4 stereo aux returns, 8 direct outs
3-band active EQ with sweepable midrange on mono channels
4-band active EQ on stereo channels
18dB/oct. 75Hz Lo-Cut filters on mic channels
Control Room and Phones outputs with multi-input source matrix and separate level controls for each
Balanced inputs & outputs (except inserts)
Steel chassis, sealed rotary controls
Rack mountable

£please phone
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MACKIE 1604 VLZ PRO
Ultra-low noise, high headroom
Ultra-low noise, highest headroom in its class
16 new precision-engineered XDR(tm) Extended Dynamic Range premium studio-grade mic preamps with:
Ultra-wide 0-60dB gain range
130dB dynamic range, 24-bit digital ready
192kHz Bandwidth
+22dBu line input handling
Distortion under 0.0007% (20Hz-20kHz)
Advanced DC pulse transformer RF rejection
4 subgroups with left & right assigns and direct outs
16 line inputs, 16 channel inserts
60mm long-wearing logarithmic-taper faders
Constant-loudness pan controls
Switchable AFL/PFL Solo
6 aux sends per ch. with 15dB gain above Unity
Aux 1 & 2 pre/post
Aux Send 1-2 Master section with level controls, Solo switches and Solo LEDs
Level, pan; -20, Solo & OL LEDs on each channel
RUDE solo light doubles as a mini-tanning booth
4 stereo aux returns, 8 direct outs
3-band active EQ with sweepable midrange
18dB/oct. 75Hz Lo Cut filter on each channel
Control Room/Phones outputs with multi-input source matrix
RCA tape inputs & outputs
Tape input level control and Tape To Main Mix switch
Balanced 1/4" inputs & outputs (except inserts)
Switchable phantom power for condenser mics
5 physical configurations via optional rotating I/O pod
Rugged steel main chassis, sealed rotary controls
Built-in power supply, rack mount kit included

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MACKIE ONYX 2480
Please call for more details or visit www.mackie.com

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MACKIE ONYX 3280
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MACKIE ONYX 4080
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MACKIE ONYX 4880
Please call for more details or visit www.mackie.com

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MACKIE SR24-4 VLZPRO
Premuim XDR mic preamps (20 on the SR24•4 VLZ PRO, 28 on the SR32•4 VLZ PRO)
4 submix buses
6 aux sends (2 pre, 2 post, 2 switchable pre/post)
3-band EQ with sweepable mids (4-band fixed EQ on stereo channels)
75Hz Low cut filter on all mono channels
"Air" EQ on sub buses
Talkback section with level control, LED, and separate rear XLR input
"Double-bused" sub outs for eight track recording without repatching
Inserts on all mono channels and subs
AFL/PFL solo on all channels (globally switchable)
60mm log-taper faders for consistent fades
Balanced XLR and 1/4" main outputs
Additional mono XLR main out with level control
Balanced inputs and outputs (except phones, inserts, RCAs)
Built-in power supply
12V BNC lamp socket

£please phone
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MACKIE SR32-4 VLZPRO
Premuim XDR mic preamps (20 on the SR24•4 VLZ PRO, 28 on the SR32•4 VLZ PRO)
4 submix buses
6 aux sends (2 pre, 2 post, 2 switchable pre/post)
3-band EQ with sweepable mids (4-band fixed EQ on stereo channels)
75Hz Low cut filter on all mono channels
"Air" EQ on sub buses
Talkback section with level control, LED, and separate rear XLR input
"Double-bused" sub outs for eight track recording without repatching
Inserts on all mono channels and subs
AFL/PFL solo on all channels (globally switchable)
60mm log-taper faders for consistent fades
Balanced XLR and 1/4" main outputs
Additional mono XLR main out with level control
Balanced inputs and outputs (except phones, inserts, RCAs)
Built-in power supply
12V BNC lamp socket

£please phone
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AUDIO LIGHT SYSTEMS ARE MAIN MACKIE DEALERS.
THE ABOVE MICROPHONES ARE JUST A SMALL SELECTION OF THE MACKIE RANGE, PLEASE CALL 0800 043 4600 FOR PRICING ON MORE MODELS.